Home Entertainment A vibrant Kathak presentation by Nirupama and Rajendra

A vibrant Kathak presentation by Nirupama and Rajendra

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A vibrant Kathak presentation by Nirupama and Rajendra

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Performance by students of the Bengaluru-based Abhinava Dance Company.

Efficiency by college students of the Bengaluru-based Abhinava Dance Firm.
| Picture Credit score: VELANKANNI RAJ_B

It was a refreshing change to maneuver away from the pining nayikas suffering from Manmatha to observe a Kathak efficiency by Nirupama and Rajendra on the annual dance pageant of the Music Academy.

The presentation comprised two predominant compositions to which the duo danced, interspersed with group choreographic work that includes college students of their Abhinava Dance Firm. The rendition of the abhang ‘Majhe maher pandari’, popularised by Pt. Bhimsen Joshi, was taken as much as narrate the Panduranga story.

Abhinava Dance Company’s Kathak performance at the Music Academy on January 7, 2024.

Abhinava Dance Firm’s Kathak efficiency on the Music Academy on January 7, 2024.
| Picture Credit score:
VELANKANNI RAJ_B

The detailing of all facets of the story and the celebrations and festivities associated to the temple have been finely depicted, however the hurried tempo through which the sequences moved negated the affect of Bhakti bhava that this composition warranted.

Students of Abhinava Dance Company.

College students of Abhinava Dance Firm.
| Picture Credit score:
VELANKANNI RAJ_B

The opposite composition ‘Abhisar’ – A River’, based mostly on the the broad concept of reaching one’s objective, handled the journey of a river from its birthplace on high of a mountain to its end result within the ocean. Clad in pretty blue costumes, the dancers depicted the motion of the river, its journey by assorted seasons and the wildlife by lovely sancharis. The lilting musical rating by Praveen Godkhindi and Tarun Bhattacharjee flowed gently, resonating with the numerous terrains and moods. The idea was by Shatavdhani Ganesh.

The group choreography stood out for the synchronised formations and colourful costumes.

The group choreography stood out for the synchronised formations and vibrant costumes.
| Picture Credit score:
VELANKANNI RAJ_B

Three verses taken from Leela Sukar’s ‘Krishna Karnamritham’ highlighted the love of the gopis for Krishna — they addressed his flute in a sequence, a second had a dialog between Krishna and complaining gopis and the third featured the viraha shringara of the gopis.

Nirupama and Rajendra

Nirupama and Rajendra
| Picture Credit score:
VELANKANNI RAJ_B

Enacted by expressive storytelling and delightful group formations, this abhinaya piece was engrossing.

Nirupama and Rajendra showcased diverse streams of thoughts at their performance.

Nirupama and Rajendra showcased numerous streams of ideas at their efficiency.
| Picture Credit score:
VELANKANNI RAJ_B

The programme concluded with ‘Bahurang’, a grand crescendo of rhythm, stuffed with quick footwork, parans and chakkars, that are an intrinsic a part of Kathak vocabulary. The costume design heightened the affect. The stark white kurtas and vibrant pyjamas made a robust visible affect.

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