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How Agam’s music is past labels but cherished by folks

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How Agam’s music is past labels but cherished by folks

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Agam performing at the Music Academy

Agam performing on the Music Academy

I’ve not often missed an Aikya live performance within the final decade. They’ve all the time been a heady mixture of progressive codecs, new genres and widespread artistes. World Changes, which curates these annual concert events, believes within the credo that music unites. The validation of that highly effective perception was in full show on the 2024 live performance held on the Music Academy to a full home, that includes the immensely widespread Agam band from Bengaluru.

The viewers, predominantly younger, broke right into a refrain, singing in flawless sruti, ‘Rangapura Vihara’ and ‘Manavyalakinchara’, together with Harish Sivaramakrishnan (lead singer) to the accompaniment of guitars and drums. No cathedral-like silence of a standard kutcheri. The band rocked and grooved underneath strobe lights and the viewers shouted out with pleasure.

If it was sacrilege to the conservatives, notably since ‘Brindavana Saranga’ boldly included anya swaras, it was, to the liberals, a grand show of unity between the classical and the trendy, between the younger and the outdated.

Harish Sivaramakrishnan can not escape the entice of the runaway success of his well-known repertoire. He ought to be pardoned for the usual fare. The viewers demanded and bought ‘Sree ragamo’, Dhanashri tillana, ‘Chandra chooda’ in Darbari Kanada, and the boat music, apart from ‘Subrahmanyena’ in Suddha Dhanyasi.

Harish’s gifted voice that may shatter the glass with energy in a single second and caress the guts within the subsequent, and his distinctive interpretation of the classical style, by no means fail to solid a spell on the viewers. He’s a grasp communicator as nicely. Swaminathan Seetharaman (keyboard), Praveen Kumar (lead guitar), Jagadis Natarajan (rhythm guitar) Aditya Kashyap (bass guitar), Yadhunandan Nagarajan (drums) and Sivakumar Nagarajan (Indian percussion) have been excellent. The grand jugalbandi with the drums was a becoming finale.

Agam, which commenced its journey in 2003, has been experimenting to supply an eclectic dough of Carnatic music (Tyagaraja and Muthuswami Dikshitar), Blues and Funk Rock, all seemingly conflicting parts, kneaded collectively to ship a live performance. If viewers assist is any indication, the experiment ought to be declared an ideal success. Agam, although, would do nicely to develop its repertoire and incorporate extra classical devices.

The proceeds from Aikya annual concert events go in direction of supporting the training of ladies from economically deprived backgrounds, particularly first era learners, by way of the World Changes Basis, Championwoman.

(R. Seshasayee is presently Chairman, Asian Paints and Vice Chairman, Hinduja Group, and a connoisseur of artwork and music)

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