‘Ondu Sarala Prema Kathe’ film assessment: A sluggish return to type for Suni

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A nonetheless from ‘Ondu Sarala Prema Kathe’.
| Picture Credit score: Particular Association

Suni’s Ondu Sarala Prema Kathe comes a decade after his blockbuster debut, Easy Agi Ondh Love Story (2014), starring Rakshit ShettyAs somebody identified on social media, the brand new movie’s title reads precisely like one other model of his first movie’s identify. This cheeky artistic determination defines Suni’s journey within the Kannada movie trade; the filmmaker has discovered pleasure in such easy gimmicks, believing there’s a robust demand for it. Nevertheless, the outcomes of his current films inform one other story.

Ondu Sarala Prema Kathe begins on a constructive observe, with out giving us a touch of how issues are going to stumble later. Suni establishes his characters with effective management. Atishay (Vinay Rajkumar) is a music composer, whereas Anuraga (Swathishta Krishnan) is a courageous tv journalist who exposes corrupt politicians. The 2 have identified one another since childhood, however each are perennially at loggerheads.

Ondu Sarala Prema Kathe (Kannada)

Director: Suni

Solid: Vinay Rajkumar, Swathishta Krishnan, Mallika Singh, Rajesh Nataranga, Sadhu Kokila

Runtime: 149 minutes

Storyline: In a accident, poles aside children Atishay, a music composer and Anu, a journalist, get married to one another. What occurs after they resolve to name off the wedding, and go on a quest for real love?

The movie treats music and the world of musicians with dignity. Sadhu Kokila performs himself, a gifted music composer, and kudos to Suni for not losing him on cringe comedy like many of the Kannada films. Veer Samarth’s rating emphasises extra on tone and ambiance, and it really works nicely because the plot shifts to Mumbai and Jaisalmer. Malika Singh performs a singer and is the third social gathering within the love triangle. It helps that her character is a non-Kannadiga, as Malika seems extra pure whereas conversing in her most well-liked languages of English and Hindi.

However simply when the plot appears set to take off, the author in Suni turns into clueless. As soon as the second half kicks in, Ondu Sarala Prema Kathe out of the blue feels far and wide, with uninteresting scenes and abrupt transitions from one scene to a different. Suni introduces feeble conflicts at each plot flip, leaving us annoyed. Furthermore, the performances of the three lead actors are odd too, although their laid-back allure fits the movie’s easy tone.

Ondu Sarala Prema Kathe suffers from the director’s urge to make it an clever movie, whereas all he needed to do was create characters that emotionally resonate with the viewers. It’s okay to maintain the story attention-grabbing with a coincidence or two, however when all the movie relies on hard-to-believe coincidences, you realize the writing isn’t adequate.

If the film has to take a leaf out of Jab We Met, which additionally had poles-apart characters on the run, then it must be about creating entertaining chemistry between the central characters. As a substitute of becoming a member of the dots within the script, if solely Suni had prioritised an emotional core, followers of the romance style might have discovered it simpler to simply accept this outing.

ALSO READ: ‘Juni’ movie review: A decent film on dissociative personality disorder that needed better execution

Nevertheless, Suni’s trademark quirky one-liners and his maintain on situational comedy make the movie tolerable. Ondu Sarala Prema Kathe does come alive within the closing parts, primarily as a result of it goes again to being a movie on music and musicians; that’s when you realize the movie wanted a single and stable battle to thrive totally. Suni makes a considerably sluggish return to type with this movie however thoughts you, the bar is low due to how underwhelming his earlier films (Avatara Purusha, Sakath, Bazar) had been.

Ondu Sarala Prema Kathe is presently operating in theatres



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