Home Entertainment ‘Ranganayaka’ film assessment: Jaggesh-Guruprasad mixture fails to create magic

‘Ranganayaka’ film assessment: Jaggesh-Guruprasad mixture fails to create magic

‘Ranganayaka’ film assessment: Jaggesh-Guruprasad mixture fails to create magic


Jaggesh and Rachitha Mahalakshmi in ‘Ranganayaka’.

Jaggesh and Rachitha Mahalakshmi in ‘Ranganayaka’.
| Picture Credit score: Vikhyath Studios/YouTube

Director Guruprasad usually identifies himself as a hathasha prekshaka (A disillusioned or annoyed viewers). He describes himself as somebody who made movies simply to beat the frustration of watching dangerous movies in Kannada and to show a degree that the trade hadn’t understood the “actual that means of cinema”. 

Nonetheless, with Ranganayaka, he appears to have forgotten that the viewers he’s catering to additionally needs selection in cinema. Guruprasad’s newest movie is caught in a rut and is a letdown for many who anticipated magic from his third collaboration with actor Jaggesh after the profitable Mata (2006) and Eddelu Manjunatha (2009).

Ranganayaka has an excellent core concept, maybe by no means explored in Kannada cinema. Guruprasad performs himself, a director recognized for his outspoken nature. Such personalities are a favorite for TRP-hungry tv media. Sooner or later, he will get known as for a tv present well-known for hypnotising their visitors and unearthing their secrets and techniques.

Ranganayaka (Kannada)

Director: Guruprasad

Forged: Jaggesh, Guruprasad, Srinivas Prabhu, Rachitha Mahalakshmi

Runtime: 121 minutes

Storyline: A filmmaker learns about his previous life, wherein he tried to make the primary ever Kannada film.

As an alternative of plunging into this idea head-on, the film presents ample room for Guruprasad to vent his frustration about life and cinema. There may be sufficient and extra show-boating, with the interviewer asking questions supposed to spice up the filmmaker’s ego. For many who have adopted Guruprasad’s pre-release interviews, this portion of the movie presents nothing new.

Ranganayaka will get again on observe when a hypnotised Guruprasad talks about being born as Padmanabha Sharma in his earlier life. In 1896, a go to to Mumbai to see the movement image invented by the legendary Lumière brothers — Louis and Auguste — conjures up Padmanabha. He vows to make India’s first movement image in Kannada.

Y V Rao’s Sati Sulochana, launched on March 3, 1934, is Kannada’s first-ever film. Ranganayaka had the chance to discover incidents that led to this primary Kannada movie, from when the Lumière brothers invented cinema. Barring a scene that showcases the legendary Puttanna Kanagal, the film fails to painting the bygone interval curiously. The director, who believes in cinematic liberty, might have delved deep into the challenges of creating films within the pre-technology period.

Padmanabha names his movie Ranganayakaand Jaggesh will get picked because the hero. On this film-within-the-fim idea, Ranganayaka loses complete management and turns into a bunch of grownup jokes packaged as a film. Guruprasad’s movies are recognized to have eccentric characters who take pleasure in darkish humour. However in Mata and Eddelu Manjunatha, the eccentricity is justified as we all know the place these characters come from. In Ranganayaka, the context and background of the characters get zero consideration.

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At one level within the movie, Guruprasad and Jaggesh are like two batsmen going hammer and tongs with nothing to lose, chasing a goal past their attain. So, there’s a transient part of senseless leisure. We snort at their jokes and admire their inventiveness, at the same time as we rue that they need to have are available a greater movie than Ranganayaka.

Guruprasad’s cry for saving the Kannada movie trade from its rivals appears well-intentioned, however there may be nothing within the movie for us to really feel for his topic. What’s worse is that Ranganayaka takes itself too severely in the long run, when it’s truly a lot ado about nothing.

Ranganayaka is presently operating in theatres


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